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This print depicts the interior of a theater. Several actors move about the set at the top of the print. Individuals in the audience are minutely detailed. Near the left of the stage, a pair of half-naked men brawl while an actor chides them from above. Near the bottom of the image, several in the audience smoke long pipes. A man holds the hand of a child on a raised platform near the bottom left of the print.<br /><br /> Inscriptions: Nishimura and unidentified others (​Publisher's seal); Torii Kiyotsune ga (Artist's signature)<br />  
Torii Kiyotsune
Perspective Print of the Interior of the Nakamura Theater Featuring the Amakawa Scene of The Treasury of Loyal Retainers
1755 – 1765
Gift of Sharlynn and Andrew Circo, in memory of Sotokichi Katsuizumi
2011/2.200
This drawing depicts two groups of figures. A darker, more heavily shadowed group that includes a prominent standing figure appears in the lower right corner. A second group of seated figures, more lightly drawn, appear in the upper left.
Sir William Orpen (British (modern))
Study for the Play Scene from Hamlet
1898 – 1899
Joseph F. McCrindle Collection
2009/1.509
This line drawing in black ink has a large abstract figure at the bottom right that leans back as another figure comes at it from the left, along with a ship-like motif above it. In additon, there is a large abstract form with a tiny wheel above the name "Bulz". An arrow starts from left below the large figure and points down to the lower right corner. The work is dated (u.r) "1921" in pencil and dated, numbered and titled (l.c.) in pen "1921/157 Zeichnung zum Drama der Entweiung".
Paul Klee (Swiss)
Zeichnung zum Drama der Entzweiung
1921
Gift of Nesta Spink in memory of Helen B. Hall
2008/2.292
Text: The Roll Call, A Masque of the Red Cross - By Percy MacKaye
Arnold Genthe
The Roll Call, A Masque of the Red Cross
1918
Gift of Mr. Maurice F. Lyons
1954/2.35.44
A dark line drawing with white highlights on a tan colored background. It shows a standing male figure in profile, facing left. He has curly hair, a long beard and has classically style draped clothing. He has a vacant gaze and his face is turned downward. there is a partial drawing of draped fabric in the left margin of the work.
Albert Joseph Moore (British (modern))
Study of Oedipus for 'A Greek Play'
1862 – 1872
Bequest of Margaret Watson Parker
1954/1.233
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